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dobe Illustrator is one of the most powerful desktop illustration programs available for personal computers. Using Illustrator, graphic designers can place text on a curve or bend and reshape the letters in a word. Illustrator, which is a vector-based program, provides designers with the power they need to create virtually any shape that can be drawn. In vector-based programs, shapes are defined mathematically, and can easily be moved and reshaped. In Illustrator, shapes appear as paths filled or outlined with color. Onscreen, a path resembles a wireframe outline with tiny squares called anchor points. Editing the anchor points edits the path. For Adobe Premiere users, Illustrator can open up a new world of possibilities. Illustrator type and shapes can be imported directly into Premiere. When the Illustrator file is opened in Premiere, it is automatically converted from Illustrator s vector format to Premiere s raster format and appears with transparent backgrounds. This enables you to use text created in Illustrator in Premiere, and it enables you to use shapes created in Illustrator as masks. This chapter provides an introduction to using Illustrator with Premiere. We start with an overview of creating type with Illustrator s type tools; then we proceed to a discussion on how to create shapes to use as masks. The chapter concludes with the steps for importing Illustrator shapes into Premiere to use as a mask.

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The problem with the Unsharp Mask is that it can increase the noise in your picture because it is increasing the contrast among pixels that may not be part of an edge. For that reason, software engineers have developed new sharpening tools that give you more control over what is sharpened, and, just as importantly, what isn t. Two such tools are Photoshop s Smart Sharpen and Paint Shop Pro s High Pass Sharpen. So, don t automatically go to the Unsharp Mask when you are working on your pictures. Instead, check out the new tools your program may offer. The difference in image quality can be significant.

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2. Now click the Cloud clip in the Timeline. The Info palette displays the duration of the clip. The starting and end points of the clip are shown at the bottom of the palette.

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Like the Clouds and Difference Clouds filters, the Fibers filter uses Perlin-based fractal noise to achieve a realistic randomness that, when stretched out in one direction, looks less like fluffy clouds and more like, well, fibers This could be a problem for you if you don t want the fibers Photoshop gives you, because there is no way to vary the fibers greatly you have two sliders (Variance and Strength) and one button (Randomize), and as you ll see, these don t do much more than change the appearance of the fibers in the end, you still get fibers If fibers are what you want, this is a great thing, but if you were hoping for a fibrous texture made from the content of your image, this is not what you re getting here.

Most of the settings that you apply to text can be done from the Character panel shown in Figure 18.13. The Character panel provides most of the options found in the Type tool options menu and several additional ones that help you define the behavior and appearance of the text.

Programs such as Adobe s After Effects give you lots of options for tweaking and adjusting the noise this filter generates, but Photoshop s Fibers filter is rather limited in terms of its flexibility, and therefore its uses If you re still interested in using this filter and you should be, if only to see for yourself how you might be able to use it choose Filter Render Fibers This opens the Fibers dialog box, shown in Figure 1149 In the preview box, you can view the fibers generated by the filter based on the values of your foreground and background colors Increase the Variance slider value to create shorter strands of fiber with more contrast between the colors Ramp up the Strength slider value to make your fibers stringier.

The Property inspector takes many forms, depending on the HTML element you select and, if text, whether you re in HTML or CSS mode.

$8,500a $6,875 ($6,563)

Click Randomize to call up a new random seed for the noise; it s a good way to mix it up a bit if the need arises Also seen in Figure 1149 are the results of the Fiber filter (in the visible image window) with more Strength, shorter strands (higher Variance), and Randomize turned on..

Human Memory Modeled with Standard Analog and Digital Circuits: Inspiration for Man-made Computers, By John Robert Burger Copyright r 2009 John Wiley & Sons, Inc.

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